Christoph Willibald Gluck | Opera | Orfeo ed Euridice (1762)
Orfeo ed Euridice is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing.
1762-10-05 18:00:00 - Music Video
The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. Orfeo ed Euridice is the first of Gluck's "reform" operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a "noble simplicity" in both the music and the drama.[2]
The opera is the most popular of Gluck's works and was one of the most influential on subsequent German operas. Variations on its plot, the underground rescue mission in which the hero must control, or conceal, his emotions, can be found in Mozart's The Magic Flute, Beethoven's Fidelio, and Wagner's Das Rheingold.
Though originally set to an Italian libretto, Orfeo ed Euridice owes much to the genre of French opera, particularly in its use of accompanied recitative and a general absence of vocal virtuosity. Indeed, twelve years after the 1762 premiere, Gluck re-adapted the opera to suit the tastes of a Parisian audience at the Académie Royale de Musique with a libretto by Pierre-Louis Moline. This reworking was given the title Orphée et Eurydice and several alterations were made in vocal casting and orchestration to suit French tastes.
00:01:00 | Overture p.1
00:04:05 | Coro p.8
00:07:45 | Ballo p.14
00:09:00 | Coro p.15
00:12:10 | Rec. p.20
00:13:15 | Aria p.21
00:17:40 | Rec. p.28
00:19:35 | Aria p.30
00:24:05 | Atto1 fin p.37
00:24:30 | Ballo p.38
00:27:05 | Coro p.43
00:29:05 | Orfeo e Coro p.52
00:31:25 | Coro p.59
00:33:50 | Aria p.67
00:34:35 | Coro p.68
00:35:50 | Arioso p.76
00:43:45 | Coro p.92
00:43:50 | Coro p.93
00:45:05 | Rec. p.97
00:50:45 | Duet. p.104
00:56:00 | Aria p.116
01:02:55 | Aria p.128
01:07:35 | p.133
01:07:45 | Rec. p.133
01:10:00 | Coro p.147