"Vision of Love" is a song recorded by American singer-songwriter Mariah Carey for her eponymous debut studio album (1990).
It was written by Carey and Ben Margulies. After being featured on Carey's demo tape for Columbia Records, the song was re-recorded and produced by Rhett Lawrence and Narada Michael Walden. The song features a slow-dance theme tempo and backing vocals sung by Carey herself, and introduces her usage of the whistle register.
The lyric of the song represents her past life filled with "alienation" and how she had dreamt of achieving her triumph over adversity up to the moment when it finally came to fruition as the "vision of love" that she had always believed in, despite everything that she has had to deal with in life. This was Carey's debut record and was released as the lead single from Mariah Carey on May 15, 1990 by Columbia Records.
"Vision of Love" received universal acclaim from the music critics. While the song's production was typical of late 1980s pop, the vocals were not, being much more showy and expressing a wider range than artists popular at the time such as Paula Abdul and Debbie Gibson. It has been credited with popularizing the use of melisma in contemporary popular music and for inspiring several artists to pursue a music career. The New Yorker named "Vision of Love" the "Magna Carta of melisma" for its and Carey's influence on pop and R&B singers and American Idol contestants.
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dditionally, Rolling Stone said that "the fluttering strings of notes that decorate songs like "Vision of Love," inspired the entire American Idol vocal school, for better or worse, and virtually every other female R&B singer since the nineties."
The song topped the singles charts in Canada, New Zealand, and the United States, where it spent four weeks atop the chart.
The accompanying music video for "Vision of Love" was filmed in April 1990. It features Carey in a large cathedral, where she meditates and sings by a large picture window. "Vision of Love" was performed on several television and award show ceremonies, such as The Arsenio Hall Show, Good Morning America, and the 33rd Annual Grammy Awards. It has been performed at almost every one of Carey's concerts and tours, and is featured on Carey's live album MTV Unplugged (1992) and on many of her compilation albums including #1's (1998), Greatest Hits (2001) and The Ballads (2008).